filippo blasi foglietti returns to third ear for his second release, the copy principle, following his well-received debut, the john nixon memorial ep. djs, notably ellen allien and peter van hoesen, and many others continue to play this deep and trippy record. the copy principle is a more urgent, more stripped back proposition than john nixon memorial ep, but is identifiably filippo blasi foglietti, at his deep and trippy best. the copy principle is one of scottish philosopher david humes best known ideas. hume (born 1711, died 1776) states that our ideas come from our impressions. he wrote, all our simple ideas in their first appearance are derivd from simple impressions, which are correspondent to them, and which they exactly represent

australia’s deep street soul, since signing to freestyle records in 2008, have earned a reputation as being right at the grittiest end of the hard funk scene who made a big impact from the outset - with even the mc5’s wayne kramer saying that their version of kick out the jams “... is the greatest version of the song ever recorded!”. from their debut self titled instrumental long player, to the 2011 follow up look out, watch out (and the addition of vocalist mighty may johnston) this band have grown, matured and honed thier songwriting skills, as well as maintaining their rare ability to really capture the essence of the original raw funk & soul artists that inspire them. 2016 sees them return with this quite spectacular new collection. whilst the diamond hard, driving grooves remain undiminished, there is also no doubt that the bands song writing has developed to an equally assured level. case in point is souls come alive - from monique boggia’s wurlitzer electric piano intro, the blistering horns and may johnson’s simply exemplary singing - the songs instant appeal will be lost on no one with an ear for genuine organic soul music. come alive also features guest vocalists joshua tavares and kylie auldist - come alive is deep street souls finest work - no if’s, but’s or maybe’s. it s a done deal.

* eartoground presents their second italian artist ness aka andrea deplano
* bespoke sleeve artwork from grade a
* being played and supported by the likes of: marcel dettmann, answer code request, dvs1, dax j, boris, stephanie sykes, gareth wild, pfirter, emmanuel, ben sims, truncate, etapp kyle, sigha and peter van hoesen...

-it s very direct, danceable club music, anchored stylistically between electro, techno and industrial/newwave, strongly influenced by 80s acts liaisons dangereuses, ch bb, sporadically, daf and the consumed /concept period of richie hawtin.- is how hanno

brendon moeller returns to third ear after some years, following up his lauded jazz junk safari trilogy of eps with 4 peak time bombs. all 4 tracks blow up the dance floor. brendon moeller known for his sound design, has taken his sonics to extremes on all four tracks, pushing, twisting and teasing frequencies to the limit. the bass on all tracks is phenomenal. it s just as well that a master engineer like pole has mastered these tracks, maxing out the sound yet protecting the sound systems that these bombs will be played on. super fun.

nice to look... environmentally friendly produced cotton t-shirts, good quality (100percent cotton)

nice to look... environmentally friendly produced cotton t-shirts, good quality (100percent cotton)

nice to look... environmentally friendly produced cotton t-shirts, good quality (100percent cotton)

truncated soul samples are carried by no-nonsense rhythms before a switch up snaps in to catch the dance floor off guard. added shuffles and trumpet snips build a buoyant and jazzy vibe that brings another coup for third ear and another truly fine addition to wbeeza s catalogue to a close.

• eartoground presents italian artist vsk !
• bespoke sleeve artwork from leiras santos
• being played and supported by the likes of: marcel dettmann, jonas kopp, dvs1, answer code request, j.tijn, marcel fengler, chris stanford, markus suckut, dax j, peter van hoesen, boris, truncate, ben sims, stephanie sykes.

bubble clocks opens with the sublime talking proud beautifully built around a vocal sample from one of jazz s undisputed greats, nina simone. the title track bubble clocks is over 9 minutes of dream psychedelic bass music. turn on, tune in, bliss out. punchlines is a rave/bass crossover peak time bomb, and output, the closing track is 10 minutes of totally individual vision, taking a convoluted idea and teasing it out in all its permutations. a major talent in the making who has been showing promise, delivers on this ep.

nach releases auf kompakt, glasgow underground und distance und beiträgen für kultserien wie café del mar und buddha bar erscheint das neue album des griechischen produzenten und neu berliners mikael delta auf inner ear. life is now ist eine neuromantische klanglandlandschaft aus minimalem piano, klassisch schönen string arrangements und soften synthesizerbeats. dreamy electronic listening für die herbst-/wintersaison.

sarrass returns with his debut album, titled dirty gear, on third ear. dirty gear is one of the deepest and most sublime pieces techno

scott marshall is a london-based dj and producer. his debut 4-track ep, titled scott marshall demonstrates a distinctive uk booty sound. early supporters include dj deeon, john heckle, mark forshaw and jamie russell. born and raised in south london through the 80s, scott started buying records when he was 16 amassing a large collection of house, techno, disco and funk.

originally released in 1986, brother resistances rapso take over blends calypso, reggae, disco, funk and poetry to create the artist’s signature rapso sound. tip!

after jonas kopps well received recent ep, eartoground quickly returns with our second release of 2015 this time round in the form of label boss, gareth wilds first ep on the label. etg014 features two original tracks backed by remix work from two prominent new names in techno, aiken and uvb. this release covers a full array of light and dark solid impact, dance floor techno. track name inspiration comes form american graffiti artist duster and crew msk. full sleeve artwork on classic black wax.

momomo is morgan garralon, resident of bordeaux in south west france. the dard dart ep comes on like early audion, spectral sound, plastikman or jeff samuel but french and wilder. the detail is in the destruction. momomo began with an interest in classical music before discovering electronic music in particular ambient music. from then, he ventured into industrial techno. the music he now creates lies somewhere between these two intensities: ambient and industrial. in his own words momomo describes his sound as dark-waved deep techno

third ear have selected four deeply satisfying jams by orlando voorn, demonstrating a masters touch with rhythm and sound.

wbeeza back on third ear after a two year break, during which he set up his p fly music label and released two 12s. the can of worms ep is four joints of uncompromising future funk. all different but with one thing in common... unmistakably warren brown

nice price deal !!! thomas brinkmann returns on third ear just over a year after his guy martin ep in 2013. once again, his sheer class and technical skill are in abundant supply, creating blistering techno drenched in the funk. just brilliant. buy on sight.

el prevost returns with four more bombs, following up the success of the remixes of allez ally by apollonias dan ghenacia and shonky.

originally from california and now residing in montreal, stefny winter arrives on third ear with a fully-formed sound. this music is dark and trippy with plenty of weight. the tracks are long, on average 8 minutes and unfold relentlessly, never letting go. over an hour of beautifully imagined and carefully realised techno, finishing with the stunning rise.

in 2011, julia thompson (dj black b1tch) gave me a tdk sa90 tape of a spontaneous live jam by insync recorded in her flat in forest hill, south london in march 1991. she had found it in a drawer when clearing out stuff. she gave it to me to listen to simply thinking i might be interested in hearing it. of course i was, particularly because the date on the tape immediately told me that the session was recorded more than a year before the release of insyncs debut, the seminal storm on irdial discs.

rare australian funk/jazz/blues lp from 1977. limited edition of 500 copies.

b.riddim is luis sequeira, a portuguese living in london. magic my ear is his second ep for third ear, following the (in) theory ep in 2012. formerly a driving force in the influential portuguese rap group g-ward under the name bellatur, luis followed his love of jamaican dub using electronics to arrive at a sound which is identifiable through the sum of its parts but which is quite unique.

nice price deal !!! new years deal - all the tracks on alex burkats latest release, the ep 285 kent are references to, homages to, and an elegy for various ny clubs and clubbing experiences

what does radiation sound like? what do the effects of radiation sound like? what happens when a musician with why sheep?s imagination and skill tries to answer these questions? 11 march is the 3rd anniversary of the tsunami that hit the pacific coast of japan and set in motion the disaster at the fukushima nuclear plant. 31th march sees the release of why sheep? s radiation ep. radiation 1 and 2 with remixes by kare san sui surrounding, another why sheep? moniker.

from the often indistinct morass of modern hip-hop comes something so singular as to merit special attention wrote the guardian about: brownstudys tell me more about bubble album, released on third ear in 2005. a most soulfully cerebral volume of no-pose wisdom. mojo wrote, musically: brownstudy evokes the clammy, distressed soul of sly stones riot, and the lush visions of 4 hero. life well lived is brownstudys new album. 11 songs (9 lyrical flows and 2 intrumentals).

third ears detroit beatdown series was instrumental in redefining the perception of detroit electronic music abroad

ben klocks first tune of 2014 ! printed outer sleeve - free stickers included

el prevosts and d. hams warped allez ally from el prevosts ash ep on third ear gets the apollonia remix treatment from dan ghenacia and shonky.

its all in the title. party music!

mmx303 is almost ready, and we are so proud to deliver this amazing release of mituo shiomi on our macadam mambo trax series. this japanese producer has already released a brilliant ep on hotmix records last year with takeshi kouzuki. his music is very special, a kind of >lo-fi chicago house<, sometimes very raw, sometimes very poetic. here we have got all the styles, two strong floor burner with pierce and peak meter, and two beautiful atmospheric tracks with fine female and good morning mr. ear. be certain that mituo is definitively the guy to follow for the next

third ear drops five cuts from mgun (manuel gonzales). harsh and abrasive, aching and reflective by turns, the grainy sound of this music creates an aura all its own as the sounds resonate and reverberate against each other in deliberately unpredictable ways

third ear recordings is proud to release exit earth. it is imaginative. it is beautifully written, played and produced. it reminds us how much we love techno. contains a download voucher with all the mp3 tracks+2 bonus tracks (not on vinyl).

filippo blasi foglietti is another third ear find well worth checking. the john nixon memorial ep is trippy, dark, deep and grooving. there are four different grooves here, all of which can disconcert and disorientate. perfect for tripping up and tripping out the dance floor.

the ear spankers (indja virgadamo, michael kohlbecker, ben shine) already spanked with their first release ich will the international dancefloors worldwide on bambule records! are they able to top this? was the question everywhere ... more than that!

thomas brinkmann releases the first of a series of releases on third ear. the quality and originality of these tracks reminds us just how good a producer thomas brinkmann is. techno it is, but nobody sounds like this. this, the first release is the guy martin ep, inspired by the british motorcycle racer and raconteur, guy martin. brinkmann, is himself a keen motorcycle rider and racer.

a sagittariun continues to explore the deeper shades of the electronic repertoire with the rapid ear movement ep featuring a remix from terrace (d-jax upbeats/eevolute). the mojo odyssey and the terrace remix cater for the feet whilst a lucid dream is a trip for the mind.

out of the ether comes something special. how did dopeus get so good while remaining almost unnoticed? sometimes it goes like that. with only a handful of tracks released, including i left my soul on planet dopeus on nite grooves darkness part 2, this is ny resident naotake gunjis first major release yet he comes on like hes been chiseling away at his sound for years. out of nowhere comes the getaway ep. its house music but its much more than that. check!

wbeezas first release since 2012s peckham fly/billy green is ded single. if you believe is a simple stone cold knockout hook over deliciously arranged elements. wacky racers is a peak time banger - maybe his hardest track so far. wise root is a slow burner, only revealing its full force after nearly 5 minutes of keeping the dance floor locked in. mo bella is a rolling, swinging live jam of irrepressible groove. four unmistakable wbeeza joints.

el prevost drops his third, and possibly his strongest set for third ear. d.ham freestyles brilliantly on allez ally, following previous collabs on third ear with el prevost on my soul responding and putting out fires. standing on my ground features lydia, whose warm tones remind of cassandra wilson or lalah hathaway. steps of a woman & sunday tingz are el prevost rinsing it on his own.

falling up in its original theo parrish version and the carl craig version on the same disc. nothing more to say. except that the carl craig version finally gets its proper title (also newly remastered versions of both classics, by stefan betke). it was never a remix as all the parts are original, created by carl craig. as scott grooves said when he first heard norm talley playing it, that aint a remix, thats a full-blown carl craig track

welcome to the next chapter of in ear records.dacido & hirte - wobble ep brings you 4 minimal-techno party tracksin different styles: wobble with a wobbling electro-bassline, splizz with funky offsamples,bazooka for the big band feeling and happy feet with 1940ies vocals

k hand returns on third ear with 4 killer cuts. by selecting k hands starz for his fabric 66 mix, ben klock is the latest in a long line of djs who always have k hand records in their boxes. vibe, tone and groove is why. this release is no different.

ear spankers are michael kohlbecker and ben dewald. kohlbecker is a well known significant producer in the scene of mainhattan frankfurt since the 90s. ich will is an high recognizable minimal industrial flavoured bassgroove ass-shaker what will set a peak point in many dj sets this winter. in early 2013 is an huge remix package comin from audiophile heroes like swayzak and robert babicz to name a few

benjamin brunns first full-length since songs from the beehive with move d, leaving aside his recent colour tracks which was a history of edm.

gems from ibex, benjamin brunn, pirahnahead and theo parrish on the third ear catalogue selected and re-imagined by red rack em, xdb, lorca music and morphosis upperground orchestra. highly recommended.

issugis new ep / mini lp for dog ear records, produced by 16flip and budamunk. whitelabel release in paper sleeve without any infos.